米开朗基罗的凝视 (2004)

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米开朗基罗的凝视剧情内容介绍

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米开朗基罗的凝视基本信息

米开朗基罗的凝视 Lo Sguardo di Michelangelo(2004)导演: 米开朗基罗·安东尼奥尼  编剧: 米开朗基罗·安东尼奥尼 / 米开朗基罗·安东尼奥尼 / Carlo Di Carlo  上映日期: 2004-05-22  片长: 15 分钟。

米开朗基罗的凝视剧情介绍

By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art.

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豆瓣评分7.6,算是一部中等偏上的电影作品,值得收藏看,推荐大家观看。

——以上信息由小兵看看提供

米开朗基罗的凝视评价

  • 他凝视远方,在思索;他凝视着他凝视的模样,他亦在思索,同时他还思索着他的思索。他抚摸着他,他们进行着无言的对话。

    2012-04-20
  • 为什么只要安东尼奥尼变彩色我就喜欢不起来。。。

    2010-07-28
  • 安东尼奥尼在看什么,安东尼奥尼在想什么

    2012-09-01
  • 正好是大师的诞辰100周年纪念日看一部他的短片缅怀一下。应该说这部不到20分钟的短片才是安东尼奥尼最后的作品。片子里只有安东尼奥尼一个人,在天主教的核心圣殿圣彼得教堂里,静静地凝视着摩西的塑像——那塑像来自另一个伟大的艺术家米开朗基罗。到了这部影片两个米开朗基罗终于有了交集。

    2012-09-29
  • 米开朗基罗凝视米开朗基罗。。。我看不懂,也没必要看懂,喜欢安东尼奥尼的电影倒是真的。

    2011-09-12
  • 静静的美,沉默的美,安东尼奥尼教你如何拍人拍物。

    2013-01-20
  • 4.0。1.米开朗基罗凝视米开朗基罗,这样的凝视里造化着一种永恒。2.对于罹患失语症的安东尼奥尼而言,或许这才是他最完美的落幕,而非那部[云上的日子]。

    2015-01-30
  • 两位米开朗基罗的一次无声对谈,这是属于神的时刻。形象地展现了一个人独自徜徉于艺术殿堂的那种寂静的愉悦。

    2013-01-16
  • 在看米开朗基罗的米开朗基罗,更像是一场行为艺术。任你将音量调大再大,这片子他总是静默无声。TAT

    2016-05-27